
The Dutch national broadcaster has announced its withdrawal from Eurovision 2026, following the official confirmation that Israel will participate in the contest.
The Dutch national broadcaster AVROTROS has been one of the most vocal critics of Israel’s participation in Eurovision in recent years. The broadcaster had previously declared that it would withdraw if Israel took part in Eurovision 2026, and it has now maintained that position even after the ceasefire. With the general assembly of the European Broadcasting Union deciding not to hold a vote on Israel’s participation and approving the contest rules for 2026, the Dutch withdrawal has been made official.
According to reports in the Netherlands, AVROTROS had counted on international pressure leading to Israel’s disqualification, and had already selected both its artist and song for 2026 in an advanced process meant to be ready “for any scenario”. Despite these preparations, the Netherlands will not take the Eurovision stage. Other countries such as Slovenia and Spain are also expected to issue similar statements soon, and additional broadcasters may yet announce their withdrawal.
Dutch broadcaster’s official statement
“AVROTROS has decided not to participate in the Eurovision Song Contest in 2026. This decision follows a careful and extensive deliberation process in which we consulted a broad range of stakeholders: from the Israeli ambassador to Amnesty International, from the EBU to several European public broadcasters, as well as our own Association Council, Works Council, Supervisory Board, and the many thousands of Eurovision fans who reached out to us. After weighing all perspectives, AVROTROS concludes that, under the current circumstances, participation cannot be reconciled with the public values that are fundamental to our organisation. This decision was taken in close coordination with the Dutch Public Broadcasting (NPO), which respects and supports the conclusions we have drawn”.
Review of the Process
“On 12 September 2025, AVROTROS noted that the severe humanitarian suffering in Gaza, the restrictions on press freedom, and the political interference surrounding the most recent edition of the Eurovision Song Contest were incompatible with the values we stand for. In that context, AVROTROS concluded that participation by the Israeli broadcaster KAN in this year could no longer be aligned with our responsibilities as a public broadcaster. Reliability, independence, and humanity are our guiding principles”.
EBU Response and Developments
“The EBU has acknowledged that political interference occurred during the previous edition and has announced additional measures to prevent a recurrence. However, these measures do not alter what happened during the last contest. Today, the General Assembly decided that Israel will be allowed to participate in 2026. At the same time, the meeting made clear that concerns about the neutrality and apolitical character of the Eurovision Song Contest remain significant among several European public broadcasters”.
Conclusion
“What unfolded over the past year, including the infringement of universal values such as humanity, press freedom, but also the political interference that occurred during the previous edition of the Eurovision Song Contest, crossed a boundary for us. That remains decisive for AVROTROS, regardless of the steps taken since. Additionally, the situation in Gaza remains extremely fragile and deeply concerning. At this moment, it is simply too early to speak of a substantial, stable improvement that would allow us to participate in the Eurovision Song Contest in a way that aligns with our values”.
Statement from Taco Zimmerman, General Director of AVROTROS:
“This has not been an easy decision, nor one taken lightly. The Eurovision Song Contest is of great importance to us. Culture unites, but not at any price. What has happened over the past year has tested the limits of what we can uphold. Universal values such as humanity and press freedom have been seriously compromised, and for us, these values are non-negotiable. As a public broadcaster, we have a responsibility to remain true to our core values, even when that is difficult or sensitive.”
The Netherlands at Eurovision 2025
“C’est La Vie” is the title of the song performed by Claude, who represented the Netherlands at Eurovision 2025. The Netherlands qualified for the Grand Final after placing third in the first semi-final with 121 points. In the Grand Final, the Netherlands finished in 12th place with 175 points, with the jury awarding the country fifth place, but the public at home ranking it only 15th.
This year, the Netherlands participated in the Grand Final after two years of missing out. In 2023, Mia Nicolai and Dion Cooper failed to qualify from the semi-final, while in 2024, Joost Klein was disqualified after the semi-final due to a violent incident involving the competition’s production team.
Eurovision 2025: This was the Netherlands’ 65th participation in Eurovision. The Netherlands joined the competition in 1956, was one of the seven founding countries, and has won it five times over the years. The Netherlands’ last victory was at Eurovision 2019 with the song “Arcade” performed by singer Duncan Laurence.

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Tal Dahan – Journalist, radio broadcaster, and Eurovision content creator.
Tal Dahan is an Israeli journalist and editor specializing in the Eurovision Song Contest, working with the EuroMix editorial team for four years. Since 2022, she has provided regular on-site coverage of Eurovision from the host city, and from 2023 has also reported directly from the press room—offering the Israeli audience live updates, exclusive interviews, and in-depth commentary.
Tal is a member of the Eurovision tribute and parody band “EuroFalsh,” a radio broadcaster, and a student of political science and communications.
She is considered one of Israel’s leading young Eurovision experts. In addition to covering the main contest, Tal has reported from Eurovision pre-parties and national selection events across Europe (in Thessaloniki, Stockholm, Madrid, and more), been interviewed by major media outlets in Israel and internationally, and presented Eurovision-themed podcasts and radio shows.

