Luxembourg launches registration for “Luxembourg Song Contest”, featuring an innovative format, exciting audience experiences, and significant cultural and economic impacts.
Luxembourg has officially announced the opening of registration for “Luxembourg Song Contest” ahead of Eurovision 2026. Hundreds of artists, songwriters, and bands are already preparing to compete for the coveted ticket to Europe’s biggest stage. Registration is open until September 21st, 2025, with the grand final set to take place at Rockhal on January 24th, 2026. This marks a significant step for a country that recently returned to the contest and continues to prove it is here to stay.
Luxembourg’s Return to Center Stage: Impact, Trends, and Predictions
Luxembourg’s comeback to Eurovision has generated tremendous buzz among fan communities and music industry professionals. In conversations with Eurovision enthusiasts, opinions vary: some see it as strengthening the trend of musical diversity in the contest, while others are curious to see if the country can replicate its historic successes. The growing interest in Luxembourg’s national selection reflects a broader trend – small countries returning and investing resources to stand out on the international stage, often incorporating new technologies, international collaborations, and contemporary cultural influences.
Selection Process, Personal Experiences, and Fascinating Data
The preselection format allows submissions not only from established artists but also from emerging creators – whether as full acts, songwriters, or performers. From my experience watching national selections across different countries, this approach encourages creativity and brings fresh, surprising voices to the stage. Luxembourg, which won Eurovision five times in the past but was absent for three decades, is now attempting to blend tradition with innovation. An interesting fact: since its return, the country has gained extensive media exposure and a sharp rise in betting odds to qualify for the final. Eurovision fans express anticipation to see whether Luxembourg will surprise with a unique musical style or opt for a safe, powerful ballad.
Professional Analysis: Luxembourg, Eurovision, and the Broader Significance
Luxembourg’s decision to continue investing in Eurovision is far from obvious. As seen in recent years, small countries sometimes create unforgettable moments – like Malta or San Marino – thanks to bold choices, impressive productions, and international collaborations. Luxembourg’s open selection process could serve as a model for other countries, especially in an era where fan communities, social media, and betting influence results as much as professional juries. Social media reactions reveal that audiences seek authenticity, innovation, and personal storytelling – not just technically flawless performances.
On the Ground: The Excitement Surrounding Luxembourg
Over the past two years, I have closely observed the excitement around Luxembourg’s return and witnessed how this small country manages to rally a loyal fanbase. Across global Eurovision communities, there has been a marked increase in discussions, predictions, and bets concerning Luxembourg’s next representative. Conversations with fans and experts highlight the anticipation to see if the country will surprise with a contemporary style or revive winning formulas from the past. From my experience, it is precisely the blend of tradition and innovation that creates the most memorable moments in the contest.
Future Impacts: Technology, Culture, and Economy
Luxembourg’s investment in the Eurovision Song Contest may also affect other sectors – from boosting tourism and promoting the local music industry to strengthening cultural identity. In recent years, Eurovision has become a hub for technological innovation with some of the world’s most advanced stage productions. Luxembourg, with its tradition of openness to international collaborations, may lead new trends in this area as well.
Luxembourg in Eurovision 2025
“La poupée monte le son” (in English: “The Doll Turns Up the Sound”) is the title of the song performed by Laura Thorn, who represented Luxembourg at Eurovision 2025 in Basel, Switzerland. Luxembourg qualified for the final from seventh place in the semi-final with 62 points and finished 22nd in the final with 47 points – 23 from the jury and 24 from the public.
Eurovision 2025: This was Luxembourg’s 39th participation in Eurovision. Luxembourg joined the competition in 1956, was one of the seven founding countries, and has won it five times over the years. Luxembourg’s last victory was at Eurovision 1983 with the song “Si la vie est cadeau” performed by singer Corinne Hermès. In 2024, Luxembourg returned to the competition after a 31-year absence.
