Vietnam finally rehearses for Eurovision Asia 2026 in Bangkok, joining Thailand, the Philippines and eight other countries ahead of the November 14 final.

The fifth rehearsal day of Eurovision Asia 2026 continued in Bangkok, Thailand, with rehearsals from Bhutan, Bangladesh, Cambodia and Vietnam. While the first three countries held their second rehearsals on stage, Vietnam finally completed its first rehearsal after a week of silence and speculation surrounding reported problems and delays affecting the delegation’s arrival in Thailand.

Meanwhile, the second rehearsal round for Malaysia, Thailand, the Philippines, South Korea, Nepal and Laos took place yesterday (Wednesday). The newly released photographs offer another glimpse into the countries’ performances, including the costumes accompanying the artists on stage and further details of their respective staging concepts.
Following the first previews released in previous days, the picture is becoming increasingly clear ahead of this historic competition. What was revealed during the latest rehearsals? Here is the full update from Bangkok.

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Vietnam at Eurovision Asia 2026: First Rehearsal Details

Tóc Tiên, Vietnam’s representative with the song “EM TIÊN” (in English: “I’ve Arrived”), has completed her rehearsal on the Eurovision stage.

Her performance takes place on a stage designed to resemble a magical nighttime lotus pond, featuring physical elements in the form of giant lotus leaves, underwater-inspired turquoise and blue lighting, colorful neon lights and a giant full-moon projection in the background.

The singer opens the performance wearing a sparkling white halter-neck mini dress, accompanied by an oversized, sculptural, transparent and iridescent jellyfish-inspired veil that extends down to the floor. Later, a voluminous white tulle skirt is added to the outfit, featuring petal-like edges that frame her shoulders.

Throughout the song, her dancers wear transparent jellyfish-inspired headpieces and sparkling silver and light-blue costumes. A costume change takes place on stage, after which Tóc Tiên appears in a more energetic dance outfit consisting of a halter-neck top and high-waisted shorts covered in silver sequins. The look is completed with a short, transparent tulle skirt featuring color-changing ruffles, tall silver boots and a small illuminated lotus-flower accessory in her hand.

Cambodia at Eurovision Asia 2026: Second Rehearsal Details

Monetrey, Cambodia’s representative with the song “I Let You Go”, completed his second rehearsal in Bangkok with a performance built around a minimalist approach.

The singer performs alone on stage, wearing an outfit combining gold and black. Unlike productions packed with visual effects and graphics, the performance relies on spotlighting that keeps the audience’s attention firmly on the singer, with no prominent LED background graphics visible in the released footage.

The staging gives the song an intimate atmosphere, highlighting Monetrey’s stage presence and vocal performance. The Cambodian delegation appears to have chosen to let the music and emotion lead the performance rather than overwhelm it with visual elements.

Bangladesh at Eurovision Asia 2026: Second Rehearsal Details

The band Beatmosphere, representing Bangladesh with the song “Tumi Ele” (in English: “You Came”), presented an updated stage version during its second rehearsal ahead of the competition in Bangkok.

The group members appeared in new costumes, alongside choreography specifically designed for the Asian stage. The visual graphics have also been upgraded, with a color palette combining black, white and red throughout the performance.

The staging gives the performance a cohesive and modern appearance while preserving the group’s defining characteristic: its combination of a cappella and beatboxing. Rather than relying on elaborate sets and complex effects, Beatmosphere aims to keep the focus on the vocal abilities of its members.

Bhutan at Eurovision Asia 2026: Second Rehearsal Details

Nyendra, Bhutan’s representative with the song “Lhayi Semo” (in English: “Daughter of the Gods”), took to the stage in Bangkok wearing a Gho, Bhutan’s traditional national dress for men.

The performance maintains a minimalist stage presence, with the singer standing alone without dancers or additional performers. Behind him, the stage features a landscape resembling the mountainous scenery of the Himalayas, closely associated with his home country.

The combination of traditional clothing and natural scenery gives the performance a distinct cultural identity, placing Bhutan at the center of the presentation without relying on elaborate staging elements.

Malaysia at Eurovision Asia 2026: Second Rehearsal Details

Aina Abdul, Malaysia’s representative with the song “Bluest Sky”, presented a performance during her Eurovision Asia 2026 rehearsal that focuses primarily on her vocal abilities.

The singer appears in a loose white outfit and a matching hijab, against a backdrop of blue lighting and visual effects designed to recreate an underwater world. Her image is also projected onto the stage screens as part of the performance’s artistic concept.

Unlike productions featuring numerous dancers and elaborate choreography, Malaysia has chosen to place the singer at the center of the performance and let her voice lead the presentation.

Thailand at Eurovision Asia 2026: Second Rehearsal Details

MANG x DAOU, Thailand’s representatives with the song “Aroma”, delivered their second rehearsal with a performance defined by a dramatic, aesthetic and contrasting atmosphere.

The stage combines deep royal-blue lighting, physical elements resembling dried decorative trees and background screens displaying glowing effects, alongside falling fruit or petals in warm shades of orange and red.

The two lead performers appear in matching, elegant outfits in deep shades of blue. The male singer wears a long coat or suit inspired by a blend of traditional and modern styles, featuring a high collar and a wide tied waist belt. Meanwhile, the female singer wears a structured blue velvet strapless mini dress with thin straps, buckles and black ribbon details. Her long black hair is decorated with a delicate floral accessory that hangs down beside her ear.

During the performance, dancers surround the duo, lifting the female singer into the air and performing dramatic choreography together. The routine combines delicate, precise hand movements with powerful vocals, creating a visually striking presentation.

The Philippines at Eurovision Asia 2026: Second Rehearsal Details

CARMELLE, representing the Philippines with the song “Sobra-Sobra” (in English: “Too Much”), completed her second rehearsal in Bangkok.

Her performance is characterized by dramatic, high-energy staging on a dark stage illuminated by focused spotlights in deep blue, intense red and warm orange, accompanied by a geometric neon background.

The singer and her accompanying dancers wear elaborate costumes inspired by traditional festivals. Their outfits feature sparkling dark-blue fabrics decorated with stones, topped with oversized layers of red, orange and gold petals or feathers framing their shoulders and necks.

CARMELLE delivers powerful vocals alongside dramatic hand movements. Her microphone is decorated with colorful ribbons and fringes hanging downwards, while the dancers perform energetic choreography around her. Red lighting lines in the background contribute to an atmosphere that combines tribal-inspired elements with a modern festival aesthetic.

South Korea at Eurovision Asia 2026: Second Rehearsal Details

JUNHEE, South Korea’s representative with the song “DEEP DIVE”, presented an energetic performance during his Eurovision Asia 2026 rehearsal, featuring prominent choreography and a dramatic atmosphere.

The singer appears in a shiny red jacket, accompanied by dancers dressed in white who join him throughout the choreography.

Lighting plays a central role in the performance, with transitions between dark red shades and blue lighting. The LED screens feature graphic effects resembling beams of light bursting outwards from a central point.

The combination of JUNHEE’s striking outfit, the dancers’ movements and the visual effects gives the song a powerful and modern stage presentation.

Nepal at Eurovision Asia 2026: Second Rehearsal Details

Pratik Himal Rai, Nepal’s representative with the song “Ananta Maya” (in English: “Infinite Love”), took to the stage for his second rehearsal, presenting an emotionally focused performance.

The singer opted for an intimate staging concept that places the emphasis on live vocals and the musical arrangement. Standing at the center of the stage, he is accompanied by warm, saturated lighting in shades of gold and orange.

The rehearsal footage offers a glimpse into the performance’s dramatic atmosphere and the work on the backing vocals. The Nepali delegation appears to have focused on delivering the ballad’s story and emotional intensity in the most direct way possible.

Mongolia at Eurovision Asia 2026: Second Rehearsal Details

Beck Munkhbayar, Mongolia’s representative with the song “Chamguigeer” (in English: “Without You”), presented a stage concept during his second rehearsal that combines modern elements with traditional cultural influences.

The singer stands at the center of the stage, showcasing his powerful vocals against dramatic LED lighting in deep shades of blue, reinforcing the song’s atmosphere.

The photographs published on Instagram offer a glimpse into the precise camera work and carefully measured stage movements. The Mongolian delegation appears to have opted for clean staging with a powerful presence ahead of the live broadcast.

Laos at Eurovision Asia 2026: Second Rehearsal Details

Thinla, Laos representative with the song “BAE”, completed her second rehearsal and presented a stage concept that differs from the version previously seen during the national selection.

The singer is accompanied by at least four dancers, while a stage element resembling a bench can also be seen as part of the set.

This marks a significant change compared with the performance presented during the national selection process. The Laotian delegation appears to have decided to give the song a richer and more dynamic stage presentation.

Eurovision Asia 2026: When and Where to Watch the Competition?

The inaugural Eurovision Asia Grand Final will take place on Saturday, November 14th, 2026, at the One Bangkok Forum in Bangkok, Thailand.

The competition will be broadcast live on the official Eurovision YouTube channel between 14:30 and 17:00 CET. Viewers will also be able to participate in the voting through the competition’s official website.

To watch the live broadcast on YouTube from 14:30 CET, click on the screen below!

All You Need to Know About Eurovision Asia

The Eurovision brand continues its global expansion with Eurovision Song Contest Asia, launched in collaboration with the European Broadcasting Union (EBU) to mark the 70th anniversary of the original contest. Following the American Song Contest in 2022, which was not renewed for a second season, this new chapter aims to bring the beloved Eurovision format to a new continent and reach a massive potential audience of over 600 million viewers. Unlike the American adaptation that focused on a single nation, this is a large-scale, multi-national competition. The inaugural Grand Final will take place on November 14, 2026, at the One Bangkok Forum arena in Thailand, preceded by a Preview Show on November 13. Hosted by media figures Woody Milintachinda and Cindy Bishop, this historic edition will feature 11 countries: Thailand, South Korea, Vietnam, Philippines, Bangladesh, Mongolia, Nepal, Laos, Bhutan, Malaysia, and Cambodia.

Unlike the European format, the contest in Asia operates under a centralized production model. It is produced by the international production company Voxovation in partnership with the leading Asian production company S2O. This structure subsidizes the selection process in various countries, allowing nations with limited budgets to participate. Additionally, the winning country will not automatically host the contest the following year but will instead be invited to perform as a guest artist at the traditional Eurovision. The voting system has also been adapted for the continent, based entirely on a unified, free digital platform that combines televoting with professional juries, giving unprecedented decisive power to the international audience through the “Rest of the World” voting. Furthermore, ZOOP will serve as the exclusive social partner of the event, enabling fans to take an active role in the digital experience.

Eurovision Asia 2026: The first Eurovision Asia contest will be held in Bangkok, Thailand on November 14. The host arena of the contest is the “One Bangkok Forum”, which has a capacity of about 6,000 seats. This is an official expansion project of the Eurovision brand outside the borders of Europe, launched ahead of the original contest’s 70th-anniversary celebrations.