Germany will hold the “Berlin Song Fest” writing camp this August, bringing together artists to craft songs for Eurovision 2026. Could Germany’s next big hit be born here?

Germany is relaunching its songwriting camp, Berlin Song Fest, this August with the aim of creating potential hits for Eurovision 2026. After a successful debut in April, the camp is quickly becoming one of the most intriguing collaborative spaces for songwriters and producers from across Europe. The main goal is clear: to restore Germany’s prominence in the Eurovision Song Contest.

Connecting German Pop with Europe: Aiming Higher

The launch of the camp is part of a broader effort to shift Germany’s standing within the Eurovision arena. With only a 15th place finish in the last contest and inconsistent results over the past decade, the local music industry has acknowledged that without strengthening the bond between the German pop scene and the Eurovision spirit, it will remain difficult to compete effectively on the revitalized European stage. The ambition isn’t limited to creating one successful song, but to build depth, diversity, and a replicable model that other countries can also adopt.

Norwegian Inspiration Behind a German Initiative

While the initiative comes from Germany, its inspiration surprisingly stems from Norway. The concept for Berlin Song Fest was modeled after the Rena Song Fest in Norway, which led to the creation of “Laika Party” – the song that represented Ireland in Eurovision 2025. Behind the German camp stand producer Marcel Schicken and renowned Norwegian songwriter Carl-Henrik Wahl, also known as DJ Astronaut – the mind behind the hit “Give That Wolf A Banana” which captivated the Torino stage in 2022. Their shared vision: to create a cross-border network of songwriting camps that produce not just songs, but a new collaborative Eurovision culture.

A Dual-Natured Camp: German Roots, International Participation

According to organizers, Berlin Song Fest hosts top-tier artists, songwriters, and producers from Germany and all over Europe. The location – Noisy Rooms, the premier music co-working space at the House of Music Berlin – embodies the European vision, offering mentorships, workshops, and full-scale productions. From the 30 tracks produced during April’s session, several are already being reviewed for submission to various national selection contests across Europe. Discussions within the EuroMix community reveal growing excitement among fans, many of whom see Germany’s initiative as a cultural statement. One enthusiast described the camp as “a cultural declaration”.

Toward a Pan-European Vision: Germany, Norway, Romania Unite

Alongside Germany’s efforts, a groundbreaking songwriting camp titled Normania Songwriting Camp is set to take place this October. It will bring together Norwegian and Romanian creators in Romania, with the support of the Romanian national broadcaster TVR. The camp’s core goal aligns with Germany’s: to start the songwriting process months before the official submission deadline, ensuring each entry stems from a thoughtful and high-quality process rather than last-minute pressure.

A True Revolution in Eurovision Songwriting?

In recent years, the dynamics of songwriting for Eurovision have undergone a significant transformation. More and more countries are adopting preparation strategies involving songwriting camps and international collaborations – like those seen in Norway’s Melodi Grand Prix or Ireland’s national selection. Technological influences such as AI, and the dominance of platforms like TikTok and Instagram, are rewriting the rules of Eurovision success. Many insiders believe that camps like these are now the most effective way to create songs with both emotional depth and winning potential.

Germany at Eurovision 2025:

“Baller” (in English: “Shooter”) is the title of the song performed by duo Abor & Tynna, who represented Germany at the Eurovision 2025. The pair finished 15th in the Grand Final with a total of 151 points. The public televote ranked them 11th, while the professional juries placed them 13th.

This marks the second consecutive year in which Germany has achieved a relatively successful Eurovision result, avoiding the bottom of the scoreboard. Last year, singer Isaak secured 12th place in the Grand Final with his song “Always on the Run”.

Source: Wiwibloggs

Eurovision 2025: This was Germany’s 68th participation in Eurovision. Germany joined the competition in 1956, was one of the seven founding countries, and has won twice over the years. Germany’s last victory was in Eurovision 2010 with the song “Satellite” performed by singer Lena Meyer-Landrut.