Talpa Network has offered NPO a potential solution that could allow the Netherlands to participate in Eurovision 2027 despite AVROTROS’s boycott.
The Eurovision 2027 boycott is taking a new turn. After Dutch national broadcaster AVROTROS announced that it would not participate in the contest in Burgas, Bulgaria, Dutch public broadcasting corporation NPO has begun looking for alternatives that could take part in its place – and has received an intriguing proposal that has already worked in Israel and could completely change the rules of the game.
AVROTROS announced that it would continue its boycott of the Eurovision Song Contest in 2027. At the same time, the European Broadcasting Union, which organizes the competition, began a dialogue with NPO, the umbrella organization for Dutch public media, regarding the possibility of another national broadcaster taking responsibility for representing the Netherlands at the contest. Now, an interesting proposal has emerged from an unexpected source.
One of the Netherlands’ largest private television networks, Talpa Network, has offered NPO a “helping hand”. The proposal apparently involves a joint production between the two organizations, as well as cooperation in financing the country’s participation in the contest. This would be similar to the Israeli model, in which Keshet 12, a private media organization that is not a member of the European Broadcasting Union, finances a significant portion of the delegation’s expenses and is responsible for selecting the artist for the competition.
NPO has thanked the network for the proposal and for considering the idea, and has responded positively to it. If the plan does materialize, this would not be the first time Talpa Network has been involved in the Dutch Eurovision effort. In 2012, the network already took part in producing the Dutch national final. Those efforts ultimately failed to deliver a qualification to the final, but the Netherlands remained in the competition during one of the most difficult periods in its Eurovision history.
The Hope for a Dutch Comeback
While the announcement from AVROTROS made it clear that it does not intend to return to the Eurovision Song Contest, it did not provide a definitive final answer regarding the country’s overall participation. AVROTROS is only one part of the Dutch public broadcasting system, and the Dutch public broadcasting organization NPO has the authority to reassign responsibility for Eurovision participation to another network. This morning, alongside its non-participation announcement, AVROTROS declared that it is handing full responsibility for Eurovision participation back to NPO.
Now, the Dutch public broadcasting organization will determine the country’s future in the contest. The organization could select a different national broadcaster willing to take part in the Eurovision Song Contest, meaning that despite the boycott by AVROTROS, the Netherlands may still return to the competition.
The Netherlands at Eurovision 2025
“C’est La Vie” is the title of the song performed by Claude, who represented the Netherlands at Eurovision 2025. The Netherlands qualified for the Grand Final after placing third in the first semi-final with 121 points. In the Grand Final, the Netherlands finished in 12th place with 175 points, with the jury awarding the country fifth place, but the public at home ranking it only 15th.
Eurovision 2025: This was the Netherlands’ 65th participation in Eurovision. The Netherlands joined the competition in 1956, was one of the seven founding countries, and has won it five times over the years. The Netherlands’ last victory was at Eurovision 2019 with the song “Arcade” performed by singer Duncan Laurence.
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Ofek Jerassi is an Israeli reporter, editor, content creator, and commentator, specializing in the Eurovision Song Contest. He has developed his extensive expertise since childhood, becoming a close follower of the contest. For the past three years, he has served as a writer and editor for EuroMix—Israel’s largest Eurovision website and one of the world’s leading platforms in the field, with over 1.5 million users annually.
Ofek covered Eurovision 2025 on-site in Basel from the press center in the host city, providing EuroMix readers with firsthand experiences, professional analysis, and exclusive reactions from the audience, artists, and experts. His in-depth knowledge and broad familiarity with the Eurovision world are evident in every article, ensuring reliable, professional, and up-to-date content.
In his personal life, Ofek is a medic and avid traveler. He writes out of a genuine love for Eurovision, placing strong emphasis on credibility, professional commentary, and presenting a diverse range of opinions.
